"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
January 11, 2007
Price: Your 2¢

This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Disconnected Viewing

sita brahmin.jpegI don't have cable right now so I'm rewatching old shows and movies. A lot of them are animated. Such is my way. I'd like to have a nobler reason for rewatching them--something like when James revisited his favorite childhood books. And it's true—he did inspire me. But it's also true that I don't have cable.

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Hammering Away at the Here and Now

mapinternet-small.jpgLet's say you're the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

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Pilgrim's Progress

Pilgrim 80.jpgFormer Comics Editor, Guy Leshinski has very kindly given us permission to reprint a prophetic interview with Bryan Lee O'Malley in 2005.  Will Bryan Lee O'Malley attain the Holy Grail of cartoonists? As Bryan says, "We'll see..."


There’s a girl sitting on the subway. She’s 16 or so, in a brown corduroy jacket and a pair of faded sneakers, her feet propped on the seat across from her. She’s absently brushing on lipstick, absorbed by Bryan Lee O’Malley’s graphic novel Scott Pilgrim’s Precious Little Life: Volume 1.

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Lipstick

by Robin Bougie

Big Budget Hollywood Exploitation!As some of you Ernest Hemingway fans may well remember, Margaux Hemingway was the fifth person in her family to commit suicide, her death ending a Hollywood career sullied by alcohol, epilepsy, an eating disorder and life in the shadow of a more famous sister, Mariel.

After making a big splash as a model, being featured on the cover of Time and gaining a million-dollar perfume contract, Hemingway starred in LIPSTICK in 1976, a big budget studio-backed trash-wallow that has gone under many a sleaze fan's radar, LIPSTICK is unforgettable and savage, and a film Roger Ebert said was "set up to exploit Margaux Hemingway's beauty, nudity, and her rape".

Margaux is Chrissy McCormick, a (surprise) fashion model who lives with her thirteen year-old sister Kathy (her real life sibling Mariel Hemmingway) and enjoys fame and success. Kathy's beloved music teacher, Gordon Stuart (Chris Sarandon) is a failed "musician" (his experimental output is clearly the product of a talentless retard) who resents Chrissy's easy access to producers and other industry powerplayers. In a harrowing rape scene that is both violent, voyeuristic, and highly sexualised, Gordon takes out his jealous rage on the attractive model.

"What's so hot about you?" he screams as he anally rapes her. "Your picture all over the place? You fuck to get what you want?"

lipstickLARGE.jpgGordon then dishes some savage abuse in the form of physical restraint, and an awfully polite offer to rape Chrissy's little sister Kathy when she comes home from school. "Catholic education can't do a damn thing about it - it's on all their minds!"

Just when you think it couldn't get any more skeezy, the first thing out of the mouth of a policewoman (in front of Kathy, no less) is whether Gordon pissed or shit on the freshy-raped Chrissy! Haha! The expected trial quickly turns into a hilarious farce ("He wanted to kill me! He wanted to kill me with his cock!") as Defence lawyer Nathan Cartwright (Robin Gammell) effortlessly paints Chrissy as a slut, while getting young Kathy to admit that she thought her older sis offered bumhole to the talentless music teacher willingly.

Even a feminist lawyer played by the scene-chewing Anne Bancroft can't save the day, and the jury finds Gordon not guilty. He celebrates by later making good on his promise to return and rape the confused 13 year old, and then to do battle with a shotgun-toting Chrissy in a mall parking lot in a freaky finale that has to be seen to be believed.

Utterly trashy in it's goofball moralising, LIPSTICK is worth seeking out.

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Of Note Elsewhere
Wicked posters for Raleigh, North Carolina's Cinema Overdrive film series.
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Here are some pictures of the ladies reading comics for Read Comics in Public Day. As Gail Simone writes, "Take note everybody in comics!"  (For the record, Carol read Kurosagi Corpse Delivery Service 5 on a sidewalk bench, but there's no photo).
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48 vs. 61 in Rintaro and Katsushiro Otomo's excellent bicycle racing short where the racers look kinda like Rintaro and Otomo. Also, damn fine music and possible steampunkery.
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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).
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Makiko Itoh has translated Satoshi Kon's farewell.
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View all Notes here.
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