"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Disconnected Viewing

sita brahmin.jpegI don't have cable right now so I'm rewatching old shows and movies. A lot of them are animated. Such is my way. I'd like to have a nobler reason for rewatching them--something like when James revisited his favorite childhood books. And it's true—he did inspire me. But it's also true that I don't have cable.

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Hammering Away at the Here and Now

mapinternet-small.jpgLet's say you're the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

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Pilgrim's Progress

Pilgrim 80.jpgFormer Comics Editor, Guy Leshinski has very kindly given us permission to reprint a prophetic interview with Bryan Lee O'Malley in 2005.  Will Bryan Lee O'Malley attain the Holy Grail of cartoonists? As Bryan says, "We'll see..."


There’s a girl sitting on the subway. She’s 16 or so, in a brown corduroy jacket and a pair of faded sneakers, her feet propped on the seat across from her. She’s absently brushing on lipstick, absorbed by Bryan Lee O’Malley’s graphic novel Scott Pilgrim’s Precious Little Life: Volume 1.

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The Cultural Gutter: Search Results

Results tagged “Arthur C. Clarke” from The Cultural Gutter


Hammering Away at the Here and Now

mapinternet-small.jpgLet's say you're the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

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Sequelitis

sequel-small.jpgYou'd think that writing a sequel would be down to a science, considering how many get cranked out every year. Three parts more-of-the-same to two parts brand-new-adventure or some such recipe. I recently read two sequels, one that was fantastic, the other not so much. The difference? As far as I could tell, it was because of the books that came before.

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An Engineer and a Dreamer

acclarke-small.jpgSad news: Arthur C. Clarke, science fiction writer and inventor/scientist, died recently - at the age of 90, he had a full life, but it's still a great loss. To mark his passing, I picked up my favourite of his books, Childhood's End, and gave it a re-read. Some of his other accomplishments, like his work on 2001: a space odyssey, might be more famous, but Childhood's End has always hit me hardest.

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Even When They're Wrong, They're Right

What is science fiction good for? One answer: to speculate on what the future might be like. But I would argue that the game of science fiction is only sometimes about predicting the future. Sure it's fun to invent flying cars and moonbases, but as even these two examples show, the predictive track record of the genre is notoriously bad. The real year 2001 had relatively little spaceflight but rather astonishing advances like the Internet that even Stanley Kubrick and Arthur C. Clarke didn't imagine when they made their little movie nearly 40 years ago. In another famous example, Ray Bradbury's book-burning society of Fahrenheit 451 has not yet come to exist (fingers crossed).

It's Bradbury's book, as a failure of prediction, which precisely illustrates why I think that science fiction is so important.

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Paw through our archives

The use value of sf, or any literature, is a big question.

SF is also valuable because it comments on, and shows us the present, with some modifications to displace us and make us look at things anew. One sees the differences in the created worlds, before the similarities between scenarios depicted and our own lives. Aren't they wrestling with the same existential issues that we do? (As Mr. Schellenberg pointed out). Why do so many aliens have two legs, two arms, a head with two eyes? Why would we assume life would evolve elsewhere as it has here, unless we are really wanting to talk about, and to know about, us?

That future, and our present, even our past, get all mixed together. Don't we already have the burning of books, the (shadows of) religiously-inspired, government control of woman and reproduction, and the oversight of Big Brother?

SF is a space where new ways of thinking about now can be explored.

—Martha

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Of Note Elsewhere
Neat 3D animated adventures-- "Star Wars: The Solo Adventures."
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Jason Powell looked at every issue of Chris Claremont's run on the X-men. Every issue. (Sorry about the previously missing link).
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DC heroes and villains combine with LEGO to make for awesome.
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Brian at Shelf Life Clothing Company has put together an awesome display of "The Greatest Movie Stunts of All Time." As well as, the first volume of "The Greatest Movie Soundtrack Composers."

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Slick, coldblooded action in "10 Photos Capturing Moments of Spontaneous Badassery!"
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