"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Disconnected Viewing

sita brahmin.jpegI don't have cable right now so I'm rewatching old shows and movies. A lot of them are animated. Such is my way. I'd like to have a nobler reason for rewatching them--something like when James revisited his favorite childhood books. And it's true—he did inspire me. But it's also true that I don't have cable.

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Hammering Away at the Here and Now

mapinternet-small.jpgLet's say you're the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

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Pilgrim's Progress

Pilgrim 80.jpgFormer Comics Editor, Guy Leshinski has very kindly given us permission to reprint a prophetic interview with Bryan Lee O'Malley in 2005.  Will Bryan Lee O'Malley attain the Holy Grail of cartoonists? As Bryan says, "We'll see..."


There’s a girl sitting on the subway. She’s 16 or so, in a brown corduroy jacket and a pair of faded sneakers, her feet propped on the seat across from her. She’s absently brushing on lipstick, absorbed by Bryan Lee O’Malley’s graphic novel Scott Pilgrim’s Precious Little Life: Volume 1.

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The Cultural Gutter: Search Results

Results tagged “Frank Miller” from The Cultural Gutter


The Biography of Ebony White

Ebony White 80.jpg"People don't realize how a man's whole life can be changed by one book."--Malcolm X / Malik El-Shabazz, The Autobiography of Malcolm X (As Told To Alex Haley)


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"That Yellow-Shirted Such-and-Such"

Frank Miller's Charlie Brown, Thumbsuckers.
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ROUND THE DECAY OF THAT COLOSSAL WRECK

Watchmen 80.jpgIn the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen.

But I’m going to suggest that they actually undertook an even more massive challenge: adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen - and completely missing its point.

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All Star Batman in nine goddamn panels

All Star Batman in nine goddamn panels. Courtesy of the ironically-named I Love Rob Liefeld blog
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Making It In Hollywood

Fewdio member John Crye explains it all in his podcast, "You Will Not Make It In Hollywood." He also talks about geekery, fan films and reminsces about a crappy movie. (And Carol warning: two segments are from "Godzilla vs. MechaRealism" and "Frank Miller's Hot Gates").
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"If this is Gotham, get me a one-way ticket to Metropolis."

Mel at Bluestocking Banter smells some Frank Miller in Christopher Nolan's Dark Knight:  "Dark, sure. Violent, yes. But fascist? Maybe."
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Difendi!

Looks like Italian neo-Fascist political party Alleanza Nazionale like them some 300. The candidate, Andrea De Priamo, has taken it off his site. (thanks, Sparky!)
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More Goddamn Batman (and Robin, Age 12)

Confined Space collects a chain of fan art from the "Goddamn Batman" meme.  My favorite: Law and Order: Goddamn Batman. Protoclown read All-Star Batman and Robin--the start of the damned and batty--so you wouldn't have to.
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Frank Miller's Hot Gates

Only the hard. Only the strong.A feeling's been gnawing deep inside me for a while. A feeling that maybe Frank Miller's hypermasculine antiheros and faceless, breast-thrusting women are exactly what they seem, not just sketchy parody. After reading 300, Miller's 1998 account of the Spartans at Thermopylae, I don't have any doubt: Miller means it. His aesthetic is fascist.

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13 Ways of Looking at a Bat

All the Batmans holding hands!

"Among twenty empty warehouses,
The only moving thing
Was the eye of the Batman."
--sorta Wallace Stevens

You should know right from the start that I'm a terrible geek—not extremely geeky, but bad at being a geek. Continuity in the sense of an overarching, epic and harmonized chronology just isn't that important to me. What I really like about comics is the possibility of seeing different versions of the same character or even the same story. To me, comics are a mythic media using shared characters and stories.

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Moving Pictures

Summers in Toronto can be apocalyptic. Is this the face of a superman? If it isn't the plague of aphids infesting our air supply, it's the flood of crap at the multiplex. Continue reading...
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Paw through our archives

Of Note Elsewhere
Wicked posters for Raleigh, North Carolina's Cinema Overdrive film series.
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Here are some pictures of the ladies reading comics for Read Comics in Public Day. As Gail Simone writes, "Take note everybody in comics!"  (For the record, Carol read Kurosagi Corpse Delivery Service 5 on a sidewalk bench, but there's no photo).
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48 vs. 61 in Rintaro and Katsushiro Otomo's excellent bicycle racing short where the racers look kinda like Rintaro and Otomo. Also, damn fine music and possible steampunkery.
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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).
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Makiko Itoh has translated Satoshi Kon's farewell.
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View all Notes here.
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