This site is updated Thursday at noon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance, and Ian Driscoll stares deeply into the screen.
While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Click here for the writer's bios and their individual takes on the gutter.
Recent Features
Marvel's Kings of the Night Time World
In 1977, the most powerful band on earth was KISS with their pyrotechnics, monster boots and the largest army a band had ever fielded, the KISS Army, fully prepared to rock and roll all nite, party every day and read comics in between. Marvel had their ever-lovin' fingers on the pulse of the youth and put out two KISS comics, 1977's A Marvel Comics Super Special: KISS and its 1979 sequel, A Marvel Super Special: KISS
Tomorrow (November 7, if I post this on time), Toronto’s Trash Palace is showing a print of Frank Perry’s The Swimmer. If you’re in the city, do yourself a favour: go see it. If you’re elsewhere (I understand the internets now extend beyond the GTA), do yourself a favour: go rent it.
Most writers get into the Romance genre because they read it, and they read it because they love it. Each writer is drawn to the genre for different reasons, of course. Whether the concentration on character; the focus on primary relationships; or the essence of the triumph of hope, the many appeals of the happy ending hook writers the same way they hook readers. Elizabeth Lowell, on the other hand, got into it for the money.
oh, hai! Jay Dixit ponders the humanity in lolcats (and talks to The New Yorker's cartoons editor about them):
"By articulating profound feelings through cats and marine mammals
speaking garbled English, we're able to shroud genuine emotions in
pseudo-irony -- which means those animals can evoke deeper emotions
without fear of mockery or cheapness."
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The Artful Gamer ponders interactivity, engagement and narrative in videogames: "Instead of beating our collective heads against the wall as we try to
design games that let players live out their wildest desires, we should
be developing worlds that encourage players to explore them as living,
breathing, places."
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Before there were Hong Kong movies, there were Shanghai movies. 1929's Red Heroine is the only surviving silent kung fu feature from Shanghai's golden age. The Devil's Music Ensemble provides live accompaniment. Hopefully, they'll tour. Wise Kwai has more information and a trailer.
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View all Notes here. Seen something shiny? Gutter-talk worth hearing? Let us know!
In 1977, the most powerful band on earth was KISS with their pyrotechnics, monster boots and the largest army a band had ever fielded, the KISS Army, fully prepared to rock and roll all nite, party every day and read comics in between. Marvel had their ever-lovin' fingers on the pulse of the youth and put out two KISS comics, 1977's 
