"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
September 3, 2009
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Disconnected Viewing

sita brahmin.jpegI don't have cable right now so I'm rewatching old shows and movies. A lot of them are animated. Such is my way. I'd like to have a nobler reason for rewatching them--something like when James revisited his favorite childhood books. And it's true—he did inspire me. But it's also true that I don't have cable.

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Hammering Away at the Here and Now

mapinternet-small.jpgLet's say you're the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

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Pilgrim's Progress

Pilgrim 80.jpgFormer Comics Editor, Guy Leshinski has very kindly given us permission to reprint a prophetic interview with Bryan Lee O'Malley in 2005.  Will Bryan Lee O'Malley attain the Holy Grail of cartoonists? As Bryan says, "We'll see..."


There’s a girl sitting on the subway. She’s 16 or so, in a brown corduroy jacket and a pair of faded sneakers, her feet propped on the seat across from her. She’s absently brushing on lipstick, absorbed by Bryan Lee O’Malley’s graphic novel Scott Pilgrim’s Precious Little Life: Volume 1.

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Forgetful?

Perhaps you'd like an e-mail notification of our weekly update.

 
 

For the Win!

by Chris Szego

smmer.JPGCover blurbs can be tricky things. Some authors see them as good publicity tools, and who’s to say they’re wrong? After all, it puts their name on books not their own, right there for eager readers to find. Others see them as favours to pay back to writers who have helped them, or forward to writers they’d like to see succeed. Sometimes they backfire: if I try a book based on an author’s recommendation and hate it, it’s a double blow. Not only to do I not like the book in my hand, but my opinion of the blurbing author’s taste has been seriously tarnished.

Of course, the corollary is true as well. If an author I like recommends a book I like, I’ve scored twice. Confirmation that my own taste isn’t suspect, plus a brand-new author to enjoy. Such was the case with The Duke of Shadows, by Meredith Duran.

Though I’ll admit it wasn’t only the seven word blurb* by historical author Liz Carlyle that made me pick the novel up. I was also curious about the little thought balloon in the upper right corner. ‘Gather.com contest winner’ it said. I’d never heard of the site, or the contest. The idea coupled with Carlyle’s blurb made me read the back cover. Which led me to read the first pages. Which made me buy the book, which turned me into a serious fan of Meredith Duran.

Hey, look: marketing works!

At least, it does when applied to a book with as much depth and appeal as Duran’s debut novel. The Duke of Shadows was an excellent introduction to an extraordinary new author. Her contest win was only the beginning of career that will likely be filled with all the honours the field can bestow.

The Gather.com First Chapters Romance Writing Competition is very much as it describes itself. Sponsored by publisher Simon & Schuster and national bookseller Borders, the contest had entrants post the first chapter of their complete-but-unpublished novel on Gather.com. Site readers then had the task of winnowing down the entries. Twenty-five semi-finalists were chosen, who then posted second chapters. Of those, the site readers selected five finalists. A panel of pre-selected judges chose Duran as the Grand Prize winner. That prize was a publishing contract from Simon & Schuster, complete with five thousand dollar advance, plus guaranteed promotion in Borders’ bookstores.

(Incidentally, the judges were so taken with the talent displayed in the contest that they awarded a second prize to Starr Toth for her book Trust Me. She also got a publishing contract, with a slightly smaller advance.)

duke 250.jpgThe story is, in essence, quite simple. It begins in 1857, in Delhi, when Emmeline Martin meets the titular Duke of Auburn, Julian Sinclair. They are intrigued by one another, then are forced to flee together as the city erupts into violence. They fall in love, are separated by war, and reunite in London several years later. But Duran’s assured hands, this simple story is anything but.

For one thing, Duran doesn’t skimp on the difficult details. Emmeline arrived in Dehli under less than ideal circumstances, the sole survivor of a shipwreck. Rescued by common sailors, she was delivered into a community that feels she should have had the decency to drown rather than endure a stain on her reputation. That tightly knit snobbish society personifies every one of the worst aspects of British colonialism: the stultifying adherence to rules and rituals so far out of context as to be nonsensical; the abysmal ignorance of anything outside of their own expectations; the unthinking and vicious racism. For his part, Sinclair is desperately trying to awaken his compatriots to the dangerous consequences of their behavior. But since he bears Indian blood himself, his warnings are dismissed at best as cowardice, at worst as treason.

The two outsiders are drawn to one another. But of course, Sinclair is right about the rising native outrage. Rebellion erupts. And here again, Duran doesn’t shy away from the tough stuff of history. She’s not afraid to get blood on the page. Julian and Emmeline don’t face a nameless, formless rebellion: they flee bayonet attacks, beheadings, civilians hacked to pieces. The violence isn’t gratuitous, it’s earned. It happened, and Duran’s characters are our witnesses. And the damage stays happened, it stays with them. Both are changed by their experiences, haunted for years. Which makes their eventual reunion that much more powerful.

Duke came out in April of 2008. Since then, Duran has had two more books hit the shelves. The two, Bound by Your Touch and Written on Your Skin were linked to one another, and came out a mere month apart (a sign, by the way, that your publisher is deeply invested in your success). Though the plots of each are quite different, they share the same attention to detail, the complex characterization, and the evocative language of Duran’s first novel. I can't wait to see where she goes from here.

*for anyone wondering, the blurb from Liz Carlyle (herself an NYT bestselling author) was “A luscious delight... romance at its finest.”

~~~

Chris Szego wishes more first novels were this good.

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Of Note Elsewhere
Wicked posters for Raleigh, North Carolina's Cinema Overdrive film series.
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Here are some pictures of the ladies reading comics for Read Comics in Public Day. As Gail Simone writes, "Take note everybody in comics!"  (For the record, Carol read Kurosagi Corpse Delivery Service 5 on a sidewalk bench, but there's no photo).
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48 vs. 61 in Rintaro and Katsushiro Otomo's excellent bicycle racing short where the racers look kinda like Rintaro and Otomo. Also, damn fine music and possible steampunkery.
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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).
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Makiko Itoh has translated Satoshi Kon's farewell.
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We acknowledge the support of the Canada Council for the Arts which last year invested $20.3 million in writing and publishing throughout Canada.