"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
February 18, 2010
Price: Your 2¢

This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


In Living Colour

weeiron.JPGThis  last month at the Gutter, we've been mixing things up, with the editors writing outside of their usual domains. This week, instead of romance, Chris Szego will talk about movies or comics. Hey, wait! How about movies AND comics? Or rather, comic book movies?

Recently, the theatre’s been a good place for comics. Not just because amazing special effects are possible and seamless, but because there's something else at work: studios are beginning to value the kind of stories comics tell. Okay, it's probably more accurate to say that studios value the immense returns on good comic book movies, but still. Working together, writers and actors are seriously raising the bar when it comes to bringing comics to screen. Which is a good thing (Anyone out there besides me ever see Captain America? If you said no, count yourself lucky).

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How I Learned to Stop Worrying and Love Science Fiction Again

empire 80.jpgIt's been years since I've read any straight-up science-fiction. You know, the classic stuff by authors like Arthur C. Clarke or Robert Heinlein or Isaac Asimov. But I got back into it recently through A.E. Van Vogt, having picked-up a used copy of Empire of the Atom.

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Asian Western Round Up

Tears showdown 80.jpg

This month we're mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here.

The world is clamoring for more Asian Westerns. Or at least I am.  I'm talking Thai, Chinese, Japanese and Korean Westerns.

They seem like the best ones around. So saddle up and let's ride.

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Perhaps you'd like an e-mail notification of our weekly update.

 
 

Good Things Gro-o-ow in To-ron-to

by Chris Szego

bittytrw.JPGRight. So you’ve joined the RWA, and are enjoying the information and advocacy your membership entitles you to. But National’s a long way off, and RWA headquarters is in Texas, and you’re starting to get a little lonely. So what do you do? You join your local chapter. Where I live, that means the Toronto Romance Writers.

If writers’ groups were governments, then the TRW would be the municipal version to the RWA’s federal. Residency in the GTA is not a requirement to join the TRW, but it is a bonus. Because that means that in addition to enjoying the monthly newsletter, online critique groups, and active message boards, you can also make use of their book and audio library, participate in their programs, and hear their guest speakers. Best of all, you can interact with other TRW members face to face.

The TRW was started in 1986. At the time it was called the Romance Writers of America Ontario Chapter (seriously). Founded by three local writers, the first meeting had about twenty-five attendees. Today, their membership roster has expanded fivefold. And of their 130-odd members, more than thirty are published authors.  They write everything:  from  historicals to futuristics; from the chaste to the erotic, from light-hearted romps to suspense-filled page turners.  And they have a while blast doing so.

Kate is one of the original charter members. She was there at the first meeting, and she continues to attend today. In between, she has sold eight novels, two novellas, taught dozens of workshops, and presided over the TRW during many of its formative years (among her many triumphs, Kate was instrumental in the name change from RWAOC to TRW). “I joined because I wanted more information, and more contacts.” Twenty-four years ago, those were not just a mouse click away. But even given the information-rich internet enviroment, Kate absolutely believes in the value of the gathered group. “The TRW has not just maintained but grown its sense of warmth, of camraderie, of sharing. And that’s really important.”

Paula, who joined the TRW when she returned to Canada after several years in Bermuda,TO 250.jpg agrees. She says the TRW is “the most amazing, supportive bunch of real-life ladies ever.” A writer of contemporary romance who has just landed an agent, Paula credits the TRW for helping her focus her writing. And she lauds the generosity of its members. “The successful writers work with one hand forward, and one hand back…”

If you check out their website, you begin to understand what Paula’s talking about. Their monthly meetings often feature workshops led by members, past or present, who are currently very successful in their own writing careers. There are sessions on plotting, on opening scenes, on revisions. That nuts-and-bolts approach is one of the TRW’s strengths. As Susan, a member for eight years, says, “what we learn here is applicable to almost every type of writing. We learn about writing techniques, about publishing, about the industry in general. And that information applies whether you’re writing romance, or mystery, or anything.”

Other meetings have concentrated on genre analysis, or on the business side of things. I attended the February meeting, and the guest speaker, Forensic Tax Accountant Anita Van Zeeland, discussed tax strategies for writers*. It was an excellent session, full of practical, helpful advice, and delivered with a calm humour that took the mystery out of the process. It also assumed that attendees took themselves and their writing seriously.

That’s one of the hallmarks of the TRW. Published or unpublished, you will be warmly welcomed, so long as you take the romance genre seriously. As one should, considering its serious market share, and the potential for serious money. Gradually, the genre is gaining some more serious attention, beyond that of its devotees. TRW member Deborah  was Writer in Residence at the Toronto Public Library late last year. She gave talks and workshops, kept an active blog, and read and critiqued dozens of manuscripts for aspiring writers. The Library was thrilled with the rush of public interest. And the TRW is interested in librarians. Just recently they hosted a Tea for librarians, serving up information and advocacy along with refreshments.

But serious doesn’t mean humourless, and while the TRW is the former, it’s the opposite of the latter. Because in addition to education, the TRW is all about encouragement. Every meeting begins with introductions, in which the TRW warmly welcomes guests and new members into the fold. Later on comes the Accolades session, when members get to announce their writing successes, be they large (selling a novel, say) or small (finishing a scene). Chocolate is involved. Members also have a chance to mention rejections and disappointments. Good news celebrated is doubled; bad news shared is lessened. The empathy is real, and the support is inspiring.

In the end, that’s possibly the TRW’s greatest achievement: its rock-solid support. Of course, it’s a chicken-and-egg proposition: individual members are supported by the group… which consists of individual members. Eve, a best-selling novelist with twelve books and three novellas on her CV, sums it up perfectly. “In the early years, I came for the support and inspiration. Now I come for the camraderie, the friendships. And to pay it forward.”

*Van Zeeland’s number one tip: keep thorough and well-organized records. Her number two tip: auditors get bonuses proportional to the amount of additional revenue they bring in, which means they’ll want to deny your every expense, so see tip #1

~~~

Chris Szego won a prize at the meeting. Yay! Free books!

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Of Note Elsewhere
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The New York Asian Film Festival is coming up and actors Sammo Hung and Simon Yam will be in attending their films Kung Fu Chefs, Bodyguards and Assassins, Echoes of the Rainbow and Eastern Condors. But even if you can't make it, it's worth checking out the films and trailers for the Hong Kong/China and Korea/Thailand/Indonesia line-ups. Yes, Merantau will be playing. Plus, giant killer pig!
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In the interest of Science: gallery of anatomical drawings of yokai, Japanese folk monsters. Hopefully, no actual yokai were harmed in making these drawings.

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They look a little Social Realist and a little inspiring: Geometric portraits of superheroes.
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Another reason to love This American Life. Joss Whedon performs part of the commentary track for Dr. Horrible's Sing-a-long Blog. (via Film School Rejects)

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