"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
September 4, 2008
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Disconnected Viewing

sita brahmin.jpegI don't have cable right now so I'm rewatching old shows and movies. A lot of them are animated. Such is my way. I'd like to have a nobler reason for rewatching them--something like when James revisited his favorite childhood books. And it's true—he did inspire me. But it's also true that I don't have cable.

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Hammering Away at the Here and Now

mapinternet-small.jpgLet's say you're the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

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Pilgrim's Progress

Pilgrim 80.jpgFormer Comics Editor, Guy Leshinski has very kindly given us permission to reprint a prophetic interview with Bryan Lee O'Malley in 2005.  Will Bryan Lee O'Malley attain the Holy Grail of cartoonists? As Bryan says, "We'll see..."


There’s a girl sitting on the subway. She’s 16 or so, in a brown corduroy jacket and a pair of faded sneakers, her feet propped on the seat across from her. She’s absently brushing on lipstick, absorbed by Bryan Lee O’Malley’s graphic novel Scott Pilgrim’s Precious Little Life: Volume 1.

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It Takes Two

by Chris Szego
2 80.JPGIf I had a dime for every time I’ve heard that writing is a lonely profession I would (to misquote  Stephen Colbert) have a hell of a lot of hypothetical money.  But phrases don’t become cliches without reason, and the truth is that many writers spend a great deal of their time inside their own heads.  Too much time?  Maybe for some.  But what it all comes down to is the battle between the writer and the empty page.  Writing is not a team sport*.  Except, of course, when it is. 


Some agents work closely with their writers, helping them fine tune their work.  Editors obviously have their say.  There are writing partners, trusted beta-readers and workshops galore.   But some writers want to share the very act of creation.  It is of this last impulse that  collaborations are born.  And one of the most successful collaborations in the world of Romance is Laura London.  Who is sometimes known as Robin James.  And who is, in real life, the husband and wife writing team of Tom and Sharon Curtis.

Having met and married young  - “in our teens” is how Sharon puts it - the couple began writing together in their twenties.  Partly to spend time together, partly for the sense of self-expression, and partly just for fun.  Tom’s appreciation of Jane Austen emboldened Sharon to give him Georgette Heyer, and their mutal love for the Regency period inspired them.  After six months work and a phone call to Dell, they submitted their first manuscript.   A Heart Too Proud was published in 1977, and a publishing legend was born.

windflower 2.JPGFor the Curtises, the process was of as much interest as the result.  All their stories were created in full partnership.  Each had the power of veto, but apparently it was rarely used: instead, ideas they couldn’t agree on were discarded as unworkable.  They plotted their books on index cards laid out on the floor.  Which, given that their household included two children and assorted pets, gave the phrase ‘plot twist’ a new meaning.  Tom typed the first draft, with Sharon’s constant input: Sharon did the rewrites, with Tom’s consultation.  “In essence,” said Sharon, “Tom and I began collaborating because we didn’t have the raw common sense to realize it would be a complex and challenging process.”

And also a successful one.  Their delightful Regencies raised the bar for everyone who followed.  And their 1984 single title release, The Windflower, is on more Top Ten Favourites lists than I could possibly name.  It’s a  perfect blend of Regency Romance and physical coming-of-age adventure that was inspired by their own enjoyment of Robert Louis Stevenson.  The extraordinary story of Merry Wilding and Devon Crandall epitomizes the Curtis’s storytelling genius.  It’s hard to describe the story without sounding ridiculous:  Merry is kidnapped by mistake; Devon is a nobleman in disguise; there are fires, fevers, and all manner of pirates (including one named Cat who has the distinction of being Romance's Favourite! Secondary Character! Ever!)... put like that, it sounds outlandish.  But it’s not.  Instead, it’s gripping, occasionally funny, and very, very moving.

By the mid-80s, the couple was also writing under their own name.  At that time, the idea that a man would write a Romance caused no end of talk.  But when their 1987 release Sunshine and Shadow won the Golden Medallion Award (Romance’s highest honour, later renamed the RITA Award), the talk was only about their extraordinary prose.  As Robin James they went on to write several contemporary novels, and their work was prized by readers and writers alike.  Thoughout, they each kept their day jobs: Tom as a trucker; Sharon as manager of a bookstore (where staff were under strict orders not to tell customers about her ‘other’career).  The limelight didn’t interest them much: only the work.  And then after a decade and a half... they stopped writing.

The Curtises retired from the Romance field in the late 90s.  They had growing children, aging parents, and health issues of their own.  Readers mourned their departure - and still do.  But we understand their decision.  No one, no two who wrote as beautifully about life, love and family as Sharon and Tom Curtis could do anything else but put their own family first.  They are missed, but never forgotten, and their wonderful books, so layered and assured,  remain the prize piece of many a Romance collection.
 

*novel writing - scripts for film and TV are another beast althogether.

~~~
All Chris Szego wants for Christmas is Cat’s book.  And maybe a puppy.







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Please, please, use whatever influence you might have to persuade Sharon and Tom to write Cat's story. Please while I am still alive to read it! I appreciate that they have put their family first, but if they only knew how many of us have been waiting and hoping for that story. Even if they can not finish quickly - let them at least get started. Again please, please, have mercy.
Kathy

—Kathy Barrington


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Please, please, use whatever influence you might have to persuade Sharon and Tom to write Cat's story. Please while I am still alive to read it! I appreciate that they have put their family first, but if they only knew how many of us have been waiting and hoping for that story. Even if they can not finish quickly - let them at least get started. Again please, please, have mercy.
Kathy

—Kathy Barrington

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Of Note Elsewhere
Wicked posters for Raleigh, North Carolina's Cinema Overdrive film series.
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Here are some pictures of the ladies reading comics for Read Comics in Public Day. As Gail Simone writes, "Take note everybody in comics!"  (For the record, Carol read Kurosagi Corpse Delivery Service 5 on a sidewalk bench, but there's no photo).
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48 vs. 61 in Rintaro and Katsushiro Otomo's excellent bicycle racing short where the racers look kinda like Rintaro and Otomo. Also, damn fine music and possible steampunkery.
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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).
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Makiko Itoh has translated Satoshi Kon's farewell.
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We acknowledge the support of the Canada Council for the Arts which last year invested $20.3 million in writing and publishing throughout Canada.