"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
October 23, 2008
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter.

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Alan Moore Knows The Score

LEG Century 80.jpg“It's nice to hear all the old songs, isn't it?”

--the Devil, The Black Rider

I was surprised to hear the old songs in Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn't have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept reading my water-damaged copy and ran smack into, “Mack the Knife.” Like the chapter title, it's a song from Bertolt Brecht and Kurt Weill's The Threepenny Opera.

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Breaking into the Business by Being Really, Really Disturbing

waspfactory-small.jpgDisturbing as hell, an elegantly constructed first-person plunge into the mind of a maniac, a teenager who murdered kids when he was a kid (and got away with it), and now has elaborate rituals that mostly involve killing small mammals. As a first novel, that's one way to make a splash - The Wasp Factory by Iain Banks is a debut from 1984, famous for its controversial events and intense narration. I'm always a little suspicious of controversy though - is the book worth anything outside of the scandal associated with its "shocking" content?

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I Got 99 Problems But a Bitch Ain't One

weefab.JPGSarah Wendell and Candy Tan occupy some interesting real estate in the romance world; a previously untenanted corner of Innernet and Romancelandia. Smart Bitches, Trashy Books is a different sort of headspace when it comes to a website about Romance novels.  It's frank, forthright, and not above fart jokes. 

Wendell and Tan don't just review novels, they also subject them to analysis, and praise or pan them as the situation requires. They demonstrate an unquenchable and exuberant love for the entire genre, while acknowledging - and even celebrating - its most ridiculous excesses. They've amassed an interesting and intelligent readership who tune in for the commentary and stay for fun. They even popularized the ever-useful phrase ‘man-titty’ as a descriptive aid in the discussion of cover art.  And now the original Smart Bitches have written a book of their own: Beyond Heaving Bosoms: The Smart Bitches’ Guide to Romance Novels

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100 Unicorns in the Garden

by James Schellenberg
aiken-small.jpgStrange things happen to the Armitages on Mondays. Sometimes there's a unicorn in the garden, sometimes there are 100. Harriet and Mark, sister and brother, are used to the ghosts, the dragons, the Furies, and so on. Life in their small village, and wacky relatives who come to visit? Much harder to take.

Joan Aiken wrote Armitage Family stories her whole life, and they are a treat.

Aiken was a British writer, most famous for her book, The Wolves of Willoughby Chase, and the sequels in that series. She lived from 1924 to 2004. The Serial Garden: The Complete Armitage Family Stories collect stories written from the very first entry from 1944, "Yes, But Today is Tuesday," to four stories unpublished at the time of her death, 60 years later.

When Aiken sold that story to the BBC in 1944, it set the template for the stories that followed. As the title indicates, the Armitage family is expecting wacky happenings on Monday, so when a unicorn shows up on Tuesday, they are more worried about the day of the week than the unicorn itself. Mrs. Armitage wants Harriet to finish her porridge first, and Mr. Armitage says they can only ride it once it has been groomed. In the mean time, a policeman arrives to demand the Armitages pay for a unicorn license, which is of course 1000 gold pieces.

That's when what looks like a storm hits. Not just a storm though: the arrival (via the sky?) of 100 unicorns. The Armitages post a notice and get busy:
Unicorns given away. Quiet to ride or drive.

The rest of the day the Armitages were fully occupied in giving unicorns to all applicants. "It's worse than trying to get rid of a family of kittens," said Mrs. Armitage. (8)
aiken-big.jpgA few of the other things that happen to the Armitages, mostly on Mondays, and in much the same gleeful/blase tone as the first story: dragons (more than once), a room that gets switched with another room in a faraway city (a room that comes with a griffin egg), displaced goblins who like to sing and work all night, dealings with the neighbour family (all six inches tall), a storm at sea that strands a big group in a light-house (Mark supplies them with pies by way of rocket delivery), advanced wizardry in the service of getting onto the village caroling choir... and much, much more. The collection contains 24 stories all told. Aiken wrote a prelude explaining why the Armitages were always facing interesting things on Mondays, but I could have done without it. The stories are better when we're thrown into the situation just like our fearless family members.

The title story refers to an infamous entry in the Armitage series. The serial garden is made out of cardboard cutouts that Mark is assembling, taken from an obscure/ancient cereal box series called Brekkfast Brikks (which taste about how they sound). It turns out to be a magical garden, and Mark makes an interesting discovery when he has accidentally magicked himself into it. In a rather doom-laden bit of foreshadowing, the story starts with an explanation of Mrs. Armitage's drastic cleaning-up-the-toy-room habits. It's not Mark who bears the brunt of it though, which makes it worse.

As Aiken's daughter Lizza Aiken says in her introduction:
It was Joan's suggestion that this collection be called The Serial Garden, perhaps wishing to alert those readers who were still waiting for the promised "happy ever after" that she had not forgotten them. (vi)
Two other stories follow the life of the wronged character. As Lizza says: "[he] appears in two more stories, and although clearly what has been done cannot be undone, hope is offered for a solution." (vi)

I wouldn't recommend trying to read this collection straight through - it's better in small sips, rather than one huge gulp. It would be perfect for reading to kids, since the stories are all 5-20 pages long. I remember reading at least two of Aiken's collections when I was younger, but I had never encountered the Armitages before. I'm glad that I have.

The Serial Garden is published by Big Mouth House, but the unfamiliar name has an explanation. From the back cover of the book: "A new imprint of Small Beer Press (perhaps not the best name for a press for younger readers) devoted to fiction for readers of all ages." Small Beer/Big Mouth have quite a coup on their hands with this Aiken collection as a debut.

~~~
James Schellenberg is the Cultural Gutter's Science Fiction Editor.

Screen Editor Ian Driscoll is on vacation and will return to the Gutter next month.

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Of Note Elsewhere
"Geisha is Robot." Geisha fight samurai, giant temples and lady tengu. Geisha also transform.
~

Mladen Sekulovich, aka Karl Malden, has died at 96. He was in many, many entertainments, including Meteor, the legendary 1970s cop show The Streets of San Francisco, some very respectable films and many, many Westerns like How The West Was Won, Nevada Smith and One-Eyed Jacks. Obituaries here, here and here.

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In support of my latest Screen article, there's nothing disappointing about these re-imagined posters by Olly Moss. Or x-factor-e's De Niro stream. Or the endlessly entertaining Film the blanks (Sudoku for film geeks).
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Champion Mojo storyteller Joe Lansdale talks about what makes him a champion: a crazy number of upcoming stories, a Jonah Hex animated short and his mighty understanding of the publishing industry.(Thanks, Chuck!)
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"If the post-"Crouching Tiger" boom in Asian cinema was an irrational, Dutch-tulip-style bubble, then the virtual disappearance of Asian films from American screens is an equally irrational overcorrection." Andrew O'Herir interviews Grady Hendrix (NYAFF and formerly Kaiju Shakedown), Keith Allison (Teleport City) and Todd Stadtman (4DK) about corrections, industry incompetence and piracy.
~

View all Notes here.
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