"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
February 11, 2010
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


In Living Colour

weeiron.JPGThis  last month at the Gutter, we've been mixing things up, with the editors writing outside of their usual domains. This week, instead of romance, Chris Szego will talk about movies or comics. Hey, wait! How about movies AND comics? Or rather, comic book movies?

Recently, the theatre’s been a good place for comics. Not just because amazing special effects are possible and seamless, but because there's something else at work: studios are beginning to value the kind of stories comics tell. Okay, it's probably more accurate to say that studios value the immense returns on good comic book movies, but still. Working together, writers and actors are seriously raising the bar when it comes to bringing comics to screen. Which is a good thing (Anyone out there besides me ever see Captain America? If you said no, count yourself lucky).

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How I Learned to Stop Worrying and Love Science Fiction Again

empire 80.jpgIt's been years since I've read any straight-up science-fiction. You know, the classic stuff by authors like Arthur C. Clarke or Robert Heinlein or Isaac Asimov. But I got back into it recently through A.E. Van Vogt, having picked-up a used copy of Empire of the Atom.

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Asian Western Round Up

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This month we're mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here.

The world is clamoring for more Asian Westerns. Or at least I am.  I'm talking Thai, Chinese, Japanese and Korean Westerns.

They seem like the best ones around. So saddle up and let's ride.

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Perhaps you'd like an e-mail notification of our weekly update.

 
 

VARIETY PAK

by Ian Driscoll

Variety 80.jpgIt’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one.

The following is a list of a few that we’ve shown, and that I’ve seen, and that I think you should see, if you get a chance. They’re listed in more-or-less chronological order, and complete with my original synopsis, written in my best ad-man-ese. Resist their bite-size appeal if you can!

Speed Racer

Is this the future of cinema? Named one of Time’s best of 2008, and superior to both Matrix sequels, Speed Racer converts the anime classic into a hallucinatory, candy-coated spectacle with Mobius strip racetracks and a Mobius strip plot. Go!

Double Team

Jean-Claude Van Damme teams up with flamboyant basketballer Denis Rodman to fight Mickey Rourke for some reason. Do you really need to know more? Okay, it’s directed by Hong Kong legend Tsui Hark, and in one scene, JCVD and Rodman parachute inside a giant basketball.

The Exiles

Never distributed and lost for decades, The Exiles is an astonishing, provocative portrait of a group of Native American exiles - transplants from Southwest reservations - living in the now-vanished Los Angeles neighbourhood of Bunker Hill.

Frozen River

Lauded by Quentin Tarantino and dozens of film critics as one of the best films of 2008, Courtney Hunt’s feature film debut stars the constantly underrated Melissa Leo (“Homicide”) as a single mom lured into border smuggling between New York and Quebec across the frozen St. Lawrence River.

The Times of Harvey Milk

His name is Harvey Milk, and he’s here to recruit you! Rob Epstein’s documentary on America’s first openly gay elected official provided inspiration (and considerable footage) to Gus Van Sant’s Milk, and won the Oscar for Best Documentary Feature. Sean Penn may win Best Actor, but Harvey won the election.

RIP! A Remix Manifesto

If you’ve ever illegally downloaded a song or burned a DVD, you need to see this movie, because it’s about you. It’s time to decide which side of the ideas war you’re on.

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Pontypool

A deadly virus infects a small Ontario town, turning its populace - save for the staff of the local radio station - into violent zombies. The twist? The virus is spread through language. The choice is clear: shut up, or die.

Anvil! The Story of Anvil

What if This is Spinal Tap was an actual documentary? It would probably look a lot like this portrait of the “demigods of Canadian metal,” the forgotten-but-not-gone Anvil. Featuring Lars Ulrich, Lemmy, Scott Ian, Slash and Tom Araya! Earplugs optional.

Megaforce

This movie is all about deeds, not words. Deeds performed by men who drive laser-firing dune buggies and flying, rocket-launching motorcycles. Deeds carried out to protect freedom from threats that baffle military intelligence and screenwriters alike. If you don’t watch Megaforce, the terrorists win.

Two-Lane Blacktop

James Taylor is The Driver. Denis Wilson is The Mechanic. Warren Oates is G.T.O. Laurie Bird is The Girl. They are on the road, racing West to East for pinks. Richard Linklater called it “The purest American road movie ever… like a drive-in movie directed by a French New Wave director. It has the most purely cinematic ending in film history. [It is] a completely honest movie.” Amen.

The Long Goodbye

I’ll just go ahead and say it: Robert Altman’s rarely-seen and almost-always misunderstood The Long Goodbye is the best film adaptation of Raymond Chandler ever, and Elliot Gould is the best Philip Marlowe (sorry, Humphrey Bogart). Coincidentally, this is also the only Chandler adaptation to feature a cameo by Arnold Schwarzenegger.

Sorcerer

Friedkin’s remake of Clouzot’s Wages of Fear follows a group of desperate outcasts driving trucks loaded with nitroglycerine through the jungle to snuff an oil well fire. Relentlessly suspenseful. Uncompromisingly cinematic. Practically perfect.

An American Werewolf in London

Rick Baker won the Oscar for best makeup for this irreverent - and brilliantly scary - take on the werewolf legend that proves it’s worth being mauled by a creature of the night, as long as Jenny Agutter nurses you back to health.

The General

Ever wonder why Jackie Chan cites Buster Keaton as one of his inspirations? Look no further than this sidesplitting, death-defying tale of an engineer who risks all to save his two loves - his girlfriend and his train - in the midst of the Civil War.

Bronson

At 19, Michael Peterson was sentenced to seven years in prison. He has since served 34 years, 30 of them in solitary confinement, because behind bars, he became Charles Bronson, the U.K.’s most famous and violent prisoner. This based-on-a-true-story asks, ”What does society do with someone whose art is violence?” (Variety)


Command+s.

Ian Driscoll stays crispy in milk.

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Of Note Elsewhere
The small pleasures of gaming: Red Dead Redemption and Q*bert.
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The New York Asian Film Festival is coming up and actors Sammo Hung and Simon Yam will be in attending their films Kung Fu Chefs, Bodyguards and Assassins, Echoes of the Rainbow and Eastern Condors. But even if you can't make it, it's worth checking out the films and trailers for the Hong Kong/China and Korea/Thailand/Indonesia line-ups. Yes, Merantau will be playing. Plus, giant killer pig!
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In the interest of Science: gallery of anatomical drawings of yokai, Japanese folk monsters. Hopefully, no actual yokai were harmed in making these drawings.

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They look a little Social Realist and a little inspiring: Geometric portraits of superheroes.
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Another reason to love This American Life. Joss Whedon performs part of the commentary track for Dr. Horrible's Sing-a-long Blog. (via Film School Rejects)

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